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Embracing the Curve

Inspired by its natural environment, a timeless Pueblo-style abode is a study in Sonoran savoir faire.

By Nancy Erdmann | Photography by Art Holeman

On a sloping lot in the exclusive Estancia community is a home like no other on the block, or in the entire neighborhood for that matter. Its broad flowing curves, chunky vigas and heavy use of natural materials are indicative of a rich, desert-appropriate style that stands out from the European, Spanish, Traditional and contemporary characteristics of nearby residences.

It’s a look that its owners were drawn to. The couple, who live in Chicago and who have been visiting the Valley since the 1980s, had a part-time home in the Boulders area, which is known for its distinctive pueblo aesthetic. When they decided to build a custom dwelling, they had a pretty good idea of what they were looking for. “We love nature and wanted an organic house that was indigenous to the Southwest style—a nod to the old West—but also livable in today’s world,” says the husband.

It’s also the trademark of Phoenix Home & Garden Masters of the Southwest award-winning architect Lee Hutchison, whose designs are inspired by Arizona’s history and environment.

“I worked with the homeowners from the very beginning, looking for a site that offered great views and that allowed us to nestle the house into the surrounding landscape,” explains the architect, who collaborated with his daughter and fellow architect Jessica Hutchison-Rough on the project. The lot the couple ultimately chose not only enabled Hutchison to capture views of the nearby golf course and impressive sunsets but also offered unparalleled vistas of picturesque Pinnacle Peak.

1. The thick curving plaster walls in this Scottsdale residence not only reflect architect Lee Hutchison’s renowned design aesthetic but also the authentic look the homeowners were going for. 2. Schist stone indigenous to Arizona clads several of the home’s exterior walls.

Visible from the front entry and straight through to the backyard, the iconic mountain served as natural inspiration for the home’s stone-veneer exterior. “From the outside, the house looks like an Anasazi ruin with its native schist stone,” says builder Randy Arnett-Romero, also a Masters of the Southwest award winner. Viga posts, timber latillas and clay tiles serve as reminders of authentic Sonoran architecture. “We tried to stay as true to the organic pueblo style as possible,” he adds. “The rounded tiles on the patio roof, for instance, imitate the look of vintage Mexican tiles that were shaped by hand with the clay over the knees of the workers.”

1. The great room, with its barrel-vaulted ceiling, was outfitted by interior designer Bess Jones with vibrantly colored chenille sofas, Southwest-inspired pillows and a mesquite cocktail table crafted by John Taber. Niches and display areas were designed specifically for artwork, including a glass basket by Dale Chihuly and a ceremonial necklace made of beads and shells. 2. A small built-in cabinet in a hallway offers the perfect display space for some of the homeowners’ collection of Native American basketry  and bronze sculpture. 3. The homeowners wanted a kitchen where friends and family could congregate. The ceiling, with its blend of Douglas fir, hand-hewn purlin beams and upside-down Saltillo tile, draws the eye toward the cooking area in one direction and the patio in the other. “This type of stacked ceiling adds textural interest to a room and also helps with acoustics,” Hutchison explains. Custom iron and oilskin pendants hang over a large mesquite island topped with veined granite. Flooring is reclaimed oak. 4. An informal dining area in the open-concept kitchen sits adjacent to the hearth room where the couple likes to drink their morning coffee. The blanket hanging over the kiva fireplace is a circa 1865 handwoven serape made from natural dyed fibers. Its red hue comes from the dried remains of cochineal, a scale insect often found on prickly pear cacti. 5. The design for the wagon-wheel style ceiling in the office was a collaboration between the builder and the husband. “I had been saving all these dried saguaro ribs for just the right project,” says builder Randy Arnett-Romero. The custom glass light fixture by artist Kevin Douds features ancient patterns used in Native American weavings. 6. Seamless indoor/outdoor living was a key component of the home’s design. Here, the great room’s curved windows offer open sightlines to the backyard patio and pool. The dramatic fireplace and TV wall is the work of mason Jim Nelson. “We built waves in the stone that flow with the natural organic shape of the house,” he explains. “The most challenging part was not having any square corners or stopping points.”

“The ceiling treatments are wonderful. And the lighting makes the house look really special at night.”

—The Homeowner

Inside the three-bedroom residence, thick undulating plaster walls, rough-sawn wood elements and handcrafted ceiling treatments bring Hutchison’s signature style to life, which just happens to mean there also are no 90-degree angles. “We didn’t quite understand what it meant to have a house with no corners,” admits the husband. “When everything is curved, you get a totally different sense of living. I find myself constantly wanting to touch the walls.”

Every nuance of the home is expertly crafted with a mix of handmade rustic pieces and sophisticated finishes, notes Hutchison. The walls, some of which are 2-feet thick, as well as several beehive fireplaces, are made from integrally colored Venetian plaster. Reclaimed oak floors, Saltillo tile, flagstone, and copper and zinc accents all lend an earthy, natural aesthetic.

No surface was overlooked—including the ceilings. “We looked at a lot of pictures to help us get a feel for the homeowners’ style, and they allowed us to do pretty much what we felt was right,” notes Hutchison. From the barrel-vaulted, viga-accented great room ceiling and the open latticework above the patio to the pleated-looking master bedroom treatment, each is a statement-maker. “I think my favorite is the wagon wheel-shaped ceiling in my office,” says the husband. “It’s made with saguaro ribs and outfitted with a custom light fixture.”

When it came to the interiors, Masters of the Southwest award-winning interior designer Bess Jones’ goal was to create a warm, organic atmosphere in sync with the desert. “Our color scheme was soft greens and beiges, and because the homeowners had several Native American rugs that they wanted to showcase, we used black and red accents.” She also worked closely with wood artisan and Masters of the Southwest award winner John Taber to design a number of custom furniture pieces, as well as the massive front door, which is handcrafted from solid pecan and weighs close to 1,300 pounds. “After seeing John’s work, we knew we had to include some of his creations in our house,” notes the wife. Other favorite Southwest elements include the molded wall treatment in the kitchen for displaying artwork, as well as special niches to showcase fiber wall hangings, Navajo blankets and works of Native American art.

Cozy, comfortable and well-designed, the residence is filled with inviting spaces that continually impress the couple. On the second floor, which can be reached by an elevator, one of the guest rooms features a special spot created just for the grandkids—a built-in cubby for napping. “They just love it,” says the husband.

1. “I always like to surprise the client with something special for the powder room,” says Jones. The copper vanity and mirror were custom-made by Douds. Playing off the metal, the Venetian plaster walls were waxed in a copper finish. 2. Neutral colors define the master bedroom, which features a custom bed with a headboard designed to look like old doors. 3. “This house has a lot of movement,” notes Arnett-Romero. “The walls and floors were constructed to mirror the patterns of the ceilings.” Autumn blend flagstone was used in this hallway along with Saltillo tile, which serves as thresholds to the living and dining rooms.

“Every time we come back for a stay, we see something we haven’t noticed before,” he continues. “The ceiling treatments are wonderful. And the lighting makes the house look really special at night.”

Adds the wife, “We didn’t want something too big, but rather a house that would work for the two of us and for our guests. It’s amazing how calm and peaceful it feels here. We really love this community, and the ability to share all of this with our friends and family means a lot to us.”

Architects: Lee Hutchison and Jessica Hutchison-Rough, Urban Design Associates LTD. Builder: Randy Arnett-Romero, R-Net Custom Homes. Interior Designer: Bess Jones, Bess Jones Interiors. Landscape Designer: Jeff Franklin, Jeff Franklin Design and Consulting.

For more information, see Sources.

1. “I always like to surprise the client with something special for the powder room,” says Jones. The copper vanity and mirror were custom-made by Douds. Playing off the metal, the Venetian plaster walls were waxed in a copper finish. 2. Neutral colors define the master bedroom, which features a custom bed with a headboard designed to look like old doors. 3. “This house has a lot of movement,” notes Arnett-Romero. “The walls and floors were constructed to mirror the patterns of the ceilings.” Autumn blend flagstone was used in this hallway along with Saltillo tile, which serves as thresholds to the living and dining rooms.

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