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Moving Forward: The Storybook Cottage

In Paradise Valley, a homeowner builds the labor of love she and her late husband had always dreamed of. 

By John Roark | Photography by Austin Larue Baker

There is a magical quality about this Paradise Valley home, as if it was built in another century and transported stone by stone from the English countryside. Dormer windows peek through a steep pitched shingled roof; the mortar-washed stone façade is complemented by an unassuming stuccoed entry with a surprisingly modest arched front door; structural exposed timbers add a note of rustic authenticity. Subtle winks ramp up the charm, such as the playful swoop of rooflines and a mélange of brick and copper chimney pots, each unique in design. The aesthetic speaks of a home that was added to gradually, that evolved over time.

“Little subtleties add to the richness of the design,” says Phoenix Home & Garden Masters of the Southwest award-winning architect Clint Miller, who met weekly with homeowner Wendy Beninato over the course of two years to fine-tune her vision. “The goal was to create the most artistic product we could,” he says. “There weren’t any shortcuts taken here. Wendy personalized every inch of this home.”

The house came to be following a series of events that almost seems orchestrated by a higher power. Wendy and her husband, Mike, were visiting from their native Chicago, thinking Arizona might be a good place to retire far in the future. While exploring Paradise Valley, they came upon a large available lot. “We tossed a bid out and to our surprise, we got it,” Wendy recalls. “I remember looking at Mike and saying, ‘What did we just do? What do we do now?’” 

To the surprise of family and friends, the couple relocated to the Valley with their young triplets, planning to rent while building on the just-purchased lot. A frustrating search for an interim rental led them to an open house that was for sale in the same neighborhood. “We took one step inside, and I said, ‘Uh-oh,’” Wendy recalls. “The decor was exactly my same taste. We decided this was a sign, where we would start as we built our dream house.”

“I think a dining room should be a romantic, beautiful destination,” the homeowner says. “Even though I don’t use it on a daily basis, this is one of my favorite rooms in the house.” The round table, which seats eight, was an intentional choice. “Rather than having the host or hostess presiding, everyone is equal. I love the social aspect,” she says. Chandeliers and sconces throughout the home are antiques that were rewired.

An architect was chosen, but on the morning that contracts were to be signed, Mike passed away suddenly. “Obviously, my life came to a halt,” Wendy says. “We were married for 19 years. He was the best guy in the world—I could not have selected anyone better.”

Wendy recalls a seemingly random conversation she and Mike had early in their marriage. “He said, ‘If there’s ever a day that I go first, you must promise me that whatever goals and dreams we had, you’re going to move forward. And if there’s a day that somebody comes into your life and that person brings you happiness, and that pours down to our children, you must go on because one day we will be back together.’ We never spoke of it again, but that conversation always resonated with me,” she says.

“The next few years I was in a fog, just picking up the pieces. My kids were my priority,” Wendy continues. “Eventually, when things started to lift for me, I thought about what I needed to do. The question was, could I build this house in a way that would make Mike proud?”

As she had promised, she moved forward, signed a new architect, and, with Miller, immersed herself in designing the home. “There were always moments of doubt that crept up,” she remembers. “When Clint handed me the completed architectural plans, I remember lying in bed wondering if I even wanted to take it any further. It was a good distraction right when I needed it. Then I remembered that talk with Mike and decided I was going to do this. I do like a challenge.”

Builder Brad White proved to be the next fortuitous fit. As chance would have it, a major project on his books canceled, opening his availability, and he felt an instant connection when he met Wendy. “She is not your typical person,” White says. “She’s from Chicago and she’s not a pushover. She’s larger than life, but you can’t help but love her right away.” 

“Some houses are big and antiseptic. I wanted a home that looked comfortable, well-loved and lived in, like I slowly added onto it,” Wendy says. Flooring throughout was salvaged from a Mississippi cotton mill built in the 1800s. “You cannot beat this house up. If you drop something on the floor, it just gives it more character. It doesn’t have to be perfect.” The mantel of the family room’s antique stone fireplace stands nearly 6 feet high.

“This project got me through a lot of difficult times. I’m the type of person who the more you throw at me, the better off I am. No matter how heavy it is, I’m better when I’m busy.”

Wendy Beninato, homeowner

The eat-in dining niche provides a bird’s-eye view of the whole backyard. The original owners of the house the Beninatos bought when they relocated became good friends and a sounding board for Wendy during construction and furnishing. “I didn’t know if I had the strength to do this by myself,” she says. “They supported me during this process.”

White credits the successful project to Wendy’s level of involvement, which was significant, but not intrusive. “You can’t do a house like this without having a lot of communication,” he says. “There are too many details and ideas created along the way. This was very personal. Wendy had a picture in her mind and knew what she wanted. We saw each other almost every day, but she stayed in her lane. She said to me, ‘I know my limitations. I don’t know how to build. Why would I tell you how to do it?’”

Along with Miller and White, Wendy’s good friends Bert and Karen Hayenga (from whom the Beninatos purchased the house they intended to live in until the new residence was complete) were invaluable in collaboration from planning to designing and furnishing. 

For a build that was by turns cathartic, challenging, enlightening and ultimately healing, Wendy never felt that she was doing it alone. “I’ll take a lot of credit for this home, but I cannot take all the credit,” she says. “In addition to my team and my friends, I think I had guidance from above. I believe Mike orchestrated and oversaw a lot of this. He’s still here.”

In early buildings, timber frames were structural elements. “These reclaimed beams are configured in a way that is logical structurally, and they were structural load-bearing at one time in their lives,” says Miller.
An herb garden is within easy reach of the kitchen sink. Hummingbirds flock to the nearby garden beds, adding to the enchanted vibe.
The dramatic home office is moody and publike, with a coffered ceiling, built-in millwork and Old Chicago brick accents. The basket near the window holds blueprints for this house and for the home Wendy and Mike built in Chicago. “To me this space is a visual relief from the brightness of the other rooms,” Miller observes.
“Kids should absolutely have input into the design of their bedrooms—within reason,” Wendy says. Son Michael favors an industrial look. His room includes a wall clad in surplus reclaimed wood and a loft area with a fold-out desk.
“I feel peace in this room,” says Wendy, who furnished her bedroom with white linen, antiques and salvaged items. “There’s nothing like the way they built things in the good old days. There was so much charm in the way things used to be.”

“This is not just a great house. It’s a great story.”

Brad White, builder

The guest house’s vine-covered chimney adds to the cottagelike tableau. “I found an old antique window and thought this would be a fun place for it,” Wendy says. A statue of a cherub plays in a bed of flowers. “I feel like my angel from above has guided me through this process.”
The back patio can be enclosed by curtains for intimate dinners or opened for a full backyard view. Dimmable lighting is integrated into the surrounding structure. Above the table, antique chandeliers were rewired and replaced with candles. Every year, the family celebrates Thanksgiving alfresco by joining two farmhouse tables, seating 30.
The primary bedroom patio is enclosed by lattices threaded with flowering crossvine (Bignonia capreolata), which attracts hummingbirds. “Your outdoor living spaces can be amazing when you incorporate nature into them,” Wendy says. “At night, I light candles and the fireplace. When the kids were little, I didn’t have time to sit down and relax. Now that they’re older, I do.”
A variety of clay and patinated copper chimney pots reinforces the aesthetic that the house was added to over time. “Each one is different. They needed to be their own selves,” Wendy says.

Sources

  • Architect: Clint Miller, Clint Miller Architect, Carefree, clintmillerarchitect.com.
  • Builder: Brad White, Bradleybuilt Construction, Mesa, bradleybuiltaz.com.
  • Landscape design and maintenance: Erasmo Alvarado Escorcia, Alvarado’s Landscaping LLC, Phoenix, (602) 434-0321.
  • FAMILY ROOM—Fireplace: Studio Ressource, Scottsdale, studioressource.com.

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