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Homepage / Interior Design  / Global Style: Inside the Well-Traveled Homes of Two Local Showroom Owners

Global Style: Inside the Well-Traveled Homes of Two Local Showroom Owners

A pair of globetrotters’ abodes reflect their world travels—and the treasures they have collected along the way.

By Lauren Tyda | Photography by Melissa Valladares

Walking into Tierra Del Lagarto, the Scottsdale furniture and accessories showroom owned by mother-daughter duo Linda and Meg Van Lith, is like stepping into an artful collection of the world’s most cherished cultures. Every corner offers richly carved woods, vibrant textiles and intricate artisan-made objects from far-flung places such as Indonesia, Morocco, India, Mexico and Turkey.

It’s a curated representation of the Van Liths’ love for travel and craft, but it’s also a reflection of their personal homes—spaces that hold both their treasures and memories.

“We have an Old-World aesthetic and equally love hand-carved, time-worn wood, unusual vintage textiles, saturated color and a great story,” Meg says. “My home is a little more whimsical and bohemian, while my mom’s is more classic and colonial in influence.”

Linda’s Home: A Desert Dwelling of Time-Honored Elegance

Linda and her husband, Jerry, live in a 1930s Paradise Valley adobe house that was originally a sheep ranch—long before air conditioning was a desert essential. “The ceilings were painted black, Spanish Inquisition-style,” she says, laughing. “It was pretty grim, with a flat roof and small windows.”

The couple preserved the house’s bones—its stucco walls and Saltillo tile—but over 36 years, made thoughtful updates, crafting a home that reflects Linda’s deep appreciation for timeless, well-worn pieces.

“Over time, it became something else,” she explains. “It evolved, like our decor, like our lives. I always joke that my style says ‘well-traveled old bat,’ but that is exactly what I have been going for.”

Inside, Linda’s home echoes the collected charm of Tierra Del Lagarto. Every piece feels like it carries a history. “Sure, we have a bronze Indonesian rat paddling a leaf down a stream on our dining room table and an old silk cow painting framed with gold, pink and green turban silk over a fireplace,” she quips. “But the overall effect is a place that is vaguely Spanish Colonial, where people who travel a lot have lived for a long time.”

Linda Van Lith added the current primary bedroom onto her almost 90-year-old Paradise Valley adobe home 25 years ago. It features layers of colorful textiles and a headboard made from a custom Moroccan ceiling panel crafted in Marrakech.
The rustic front door is original to Linda’s 1930s adobe home.
A daybed made from an antique found in India anchors the sitting room. A vintage Moroccan screen, a collection of lost-wax-cast leopards, and pillows from all over the world create the rich, worldly mood.
Linda converted what was once a tiny room off the original primary bedroom into a breakfast nook and preserved the tile-trimmed fireplace. A round table made from old camel saddle staves from Morocco and a set of moucharabieh benches create a chic gathering space.
An antique camel from Rajasthan, India, sits atop a Moroccan moucharabie coffee table, along with other curated objects from around the world in Linda’s living room.
Above the living room fireplace is an old Pichwai painting framed by turban silk—”because everybody wants a bunch of cows and some pink silk above their fireplace,” jokes Linda. “But I love it.” The tiles were crafted by late interior designer Billi Springer and Handcrafted Tile founder Phil Shelton, both Phoenix Home & Garden Masters of the Southwest.

Meg’s Space: A Whimsical, Well-Loved Sanctuary

In contrast to Linda’s more traditional elegance, Meg’s North Central Phoenix home leans into the eclectic and unexpected. The dwelling itself, also built in the 1930s, was a farmhouse surrounded by a citrus grove. Its humble beginnings have been carefully transformed into something that is equal parts history and adventure.

“We dedicated the first few years to just making the house less dangerous for our kids, quite literally,” Meg recalls. “After that, we slowly renovated. It’s a mutt, really.”

The house, now a blend of Spanish Revival and personal touches, is full of pieces with stories. “When you own a furniture store, you naturally end up with as many mistakes as you do treasured wins,” she says. “Our four-poster bed is a cobbled-together mess from the first time trying to make king-sized anything by our carvers in Bali. Our dozens of pots on the patios are all broken and glued together. The moucharabieh tabletop with crushed legs is now a piece of art above the fireplace.”

Yet, like her mother, Meg has a deep appreciation for the imperfect. “The pieces I purposefully chose—such as our mother-of-pearl inlaid dressers I had made into sink vanities, the sliver of old Moroccan ceiling panel from the flea markets in Marrakech or the antique Himachal chest Linda gave me—live side by side with the beaten-up orphans we’ve taken in from Tierra Del Lagarto just fine.”

Floating reclaimed wood shelves are another way to show off Meg’s collection of handmade relics in the kitchen. The backsplash consists of encaustic tile sourced from Morocco.
Meg is a proponent of creating reading nooks and “exotic getaways” throughout her home. “Another transition space, this wide hall was always an afterthought until we installed this Columbian hammock,” she says. “Now the kids and I fight over it for novel reading or afternoon naps. “
The front of Meg’s 1930s home in North Central Phoenix
A nook at the top of the stairs is a transition space between two elevations upstairs. “We turned it into an ‘opium den,’ which is a popular spot for our daughter and her friends to have tea parties,” Meg says.
The marble-topped kitchen island was custom-made in India. “We like to experiment with different things,” Meg says. “When our island arrived from India, I was so delighted with it, we used it as a prototype for similar pieces we carry at Tierra Del Lagarto.”
Indian teak wood chairs made with intricate bone inlay; an Argentinian dining table; and a vintage teak glass cabinet from India comprise the dining area off the kitchen.
Dramatic printed wallpaper by Justina Blakeney and an antique damchiya, or Indian dowry chest, was converted into a sink vanity. “We adapt a lot of cool antiques and carved chests into sink pieces,” Meg notes. “I hope to inspire more people to think creatively about furniture in the bathroom.”

A Life of Discovery

For both Linda and Meg, their homes are spaces filled with the essence of their travels. “From attending our biggest supplier’s son’s wedding in Jodhpur, India, to riding motorbikes in Bali through rice fields looking for land, there are a million fantastic memories,” Meg shares. “Having something from our trips—whether beautiful or practical—is the most important ingredient in any space in our homes.” These dwellings are lived-in galleries—places where objects hold stories and every curio reflects years of exploration. Linda’s home speaks of quiet refinement and historical charm, while Meg’s is a colorful collection of wild creativity. “We love the friendships we’ve made, the treasures we’ve found, and the rich history we absorb with each trip,” Meg reflects. “Looking forward, we hope to venture further afield to Uzbekistan, Southeast Asia—there’s always a new adventure waiting.”

Meg’s entry stairway includes the home’s original iron railing from the 1930s. Collected vintage textiles, prints and carvings create an eclectic gallery wall.
Linda turned what was once a bookcase niche into a laundry closet enclosed by doors from Morocco.

Global Perspective: Steal The Look

Meg Van Lith shares her insights on creating a collected, international aesthetic.

Anything Can Be Art

“Try hanging carved panels, antique doors, iron window grates or handwoven textiles. Nontraditional pieces displayed as art instantly add character and depth to your space. Incorporating the unexpected creates visual interest.”

Group Your Collections

Drama comes from massing similar items. Bigger things, such as vintage wine demijohns or water bottles, can be displayed up high on a tall cabinet to catch the eye. Smaller pieces, such as lacquered tikka boxes, feel intentional when arranged purposefully on a lower shelf.”

Hanging Chairs and Indoor Hammocks? Yes, Please!

“In our home, the kids fight over these prized hangout spaces. Easy to install and fun to use, they add an element of playfulness and can transform seemingly useless spaces into the most popular spots in your house.”

If You Love It, You’ll Find a Place for It

“Don’t worry about showing your personality in your home. Live among the things that bring you joy and remind you of the life you have lived. Don’t settle for knockoffs and mass-produced—find one authentic thing instead of half a dozen imitations.”

Meg’s primary bedroom contains layers of multihued textiles and throw pillows. The desk is one of her designs.
The living room houses Meg’s plethora of books and throw pillows. The hanging chair is a popular place for her teens to lounge after school.
The wall outside the primary bedroom is flooded with photos from Meg’s travels with her family.
Meg’s cat curls up on the guest room bed. “We used old doors from Indonesia as the headboard and a fish trap basket as a pendant light.”

SOURCES

Meg and Linda Van Lith, Tierra Del Lagarto, Scottsdale, tierradellagarto.com.

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